September 11, 2001. High up in Afghanistan's Mountains, Vergos, a French reporter, finds out about the Al-Qaeda terrorist attacks on the World Trade Centre. He remembers... 1984. Nikolai, a young Soviet musician, is drafted to fight in the war in Afghanistan. Sick with fear, he's engulfed in a world of violence and death.
While on a combat mision he is captured by Commander Massoud's Mujahideen and taken deep into the mountains where the Afghan rebels are taking cover. Although some Mujahideen want Nikolai dead, others feel compassion for him. There he also meets Vergos, who stays with the rebels to document their fight. Against all odds, the Soviet soldier, the French reporter and the Mujahideen gradually become friends. A year later Massoud's Mujahideen set Nikolai free. Accompanied by Vergos, he embarks on his journey to Pakistan - but was later assassinated by fanatics.
Based on a true story. Vergos is really the director himself, Christophe de Ponfilly, and Nikolai, a friend he made in the Afghan mountains who never saw home again.
L'Etoile Du Soldat AKA Star of the Soldier AKA The Soldier's Star (2006) dir. Christophe de Ponfilly
Behind the scenes of a terrorism said to be "Islamic", with which we are
permanently threatened in the same way as children used to be
frightened by telling them tales of the bogy man, is Afghanistan. A
country I discovered in 1981, which I have crossed on foot several times
and which I have filmed for my documentaries. A country from which I
learned some truths which remained in the shadows.
During one of my clandestine trips to this country in 1984, Massoud
freed a young soviet soldier that had been captured by his men and
wished come to the West. With the person that at the time was helping me
with the equipment, we were able, after a difficult voyage through the
Hindou-Koush, to bring him to Pakistan. Unfortunately in Peshawar, the
political representatives of Massoud’s party did not approve the
decision of his liberation. They took our Russian friend, who was killed
a few months later. This story did not arouse the interest of many
people in Western countries. But it was from it that I started to think
about making a movie.
The media frenzy that followed the events of September 2001 and the
obsession for terrorism that ensued, only increased my desire to shoot
this movie. After September 11th the most disparate things have been
said on Afghanistan. During the Taleban period, Afghans were seen as
dangerous fanatics, after having been depicted as caricatures of
uncouth, violent, feudal warriors.By all means the distance between
reality and its representation has dramatically increased.
- Christophe de Ponfilly
Little-known in this part of the world, French documentary filmmaker, Christophe de Ponfilly made a career out of war and socio-political documentaries from war-torn Afghanistan. He died two months before the release of his debut narrative feature film, The Soldier's Star. Some Internet sources said he committed suicide. A little gem that I came across from the stacks of all places, TS. I couldn't find much information about the film on the Internet. It's a real pity because it's such a powerful film, especially in a time like ours for the past 10 years. A take on an actual experience Christophe encountered while documenting the Afghan rebels fight against the Soviet back in the mid 1980s, a young Soviet soldier, captured by the Afghans gradually became close friends.
Well-thought used of black&white footage, HD video and 16mm film. When in Russia, the film was shot in HD video, creating a soap-opera look, the comforts and familiarity of home, the inflexibility of regular living. In Afghanistan, the 16mm takes over.
An impactful ending to the film when the filmmaker draws the audience back to reality, using actual footage shot by Christophe of a Mujahideen and Nikolai. That Vergos is really Christophe, the director himself. Nikolai was real, once living. A young man and his bashfulness evident from the reel captured. The casualness of the Afghan rebel puts a warm human face to the enigmatic generalisation of a people little-known.